In the 2012 Serpentine Pavilion, Herzog & de Meuron and Ai Weiwei took an archaeological approach and designed a pavilion that inspires visitors to look beneath the surface, at its structure. They elected cork because of its acoustic properties and sensory characteristics (especially those linked to touch and smell).
The authors of the project intended to invite the public to take a step back in time, through the legacy of the eleven previous editions of this Serpentine Gallery initiative.The eleven pillars representing each preceding pavilion were joined by another representing the current structure (that supports a floating platform) at a height above the ground of only 1.5 meters (about 5 feet).
This site operates as a cultural space open to the public, which hosts multiple initiatives. It is also a space that invites conviviality and a break to socialize, offering comfort and a good environment.
The 2012 Serpentine Pavilion presents itself as a cork lounge, circular in shape with a multi-level complex structure in which 108 pieces of expanded agglomerated cork furniture proliferate, specifically designed by Ai Weiwei and Herzog and de Meuron for this purpose and hand carved by technicians of Amorim, with the supervision of the team of architects.
“On the foundations of each single pavilion, we extrude a new structure (supports, walls) as load-bearing elements for the roof of our pavilion (...)”
“This pavilion responds to the history of previous pavilions on the site and imagines an archaeological dig through the remnants of structures past. The landscape created by the dig – the interior of the pavilion, which contains seating for visitors and events – is lined in cork to create a soft, surreal environment (…).”
“It is a great honor to be working with Herzog & de Meuron and Ai Weiwei, the design team behind Beijing’s superb Bird’s Nest Stadium. In this exciting year for London we are proud to be creating a connection between the Beijing 2008 and the London 2012 Games. We are enormously grateful for the help of everyone involved, especially Usha and Lakshmi N. Mittal, whose incredible support has made this project possible.”
The product used in the design of this work was cork agglomerate. This material is easily moldable, resulting in geometrically different solutions that harmoniously coexist in the same space.
“This partnership is the result of an unceasing commitment by Corticeira Amorim to promote worldwide the unbeatable technical and sustainability credentials of this natural material. Seeing cork applied in an architectural project with this impact and one of impeccable aesthetics is both a source of pride and a unique opportunity to demonstrate to the world that cork is not just a unique product created by nature, but also a material that is technologically relevant to the twenty-first century.
I am therefore very pleased with the projection that cork obtained from this iconic project of world architecture. It is expected that this use will drive greater international recognition for cork, a raw material that we daily strive to raise the value of.”